She Is After All
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Guitar, Piano, Strings, Percussion, and a match.
w Ryan Gunning on percussion and the match
Ryan and I spent a couple hours doing this one (in 1997, I think) using a Tascam 424. We started with 1 drum track and the piano, then added the guitar, another live drum track, then strings from the cheap-ass Yamaha PSR keyboard made in the early 90s. Getting the lighting of the match to record right probably took about 90 minutes of the 2 hours.
If I ever get around to creating a final version with my new equipment, I’ll make a piano intro less reminiscent of the Hill Street Blues theme. But that odd whistle will remain.